VG+ or VG then all faults on vinyl and sleeve will be described. 129 I. Nicht zu schnell (A minor) II. Martin Yates. The score was written in two weeks in 1850 following the family’s move to Düsseldorf, when Schumann Unfortunately, the concerto was never publicly performed during his lifetime. Perhaps Schumann’s motivation for composing it was revealed in a letter to a prospective publisher when he noted “there are so few works for this lovely instrument.” The concerto was published with piano accompaniment in 1854, and correcting the proofs was one of Schumann’s last activities before his collapse. Aside from the absence of soloists during his life, the reason for the delayed recognition likely stems from Schumann’s artistic priorities; though the work is quite technically demanding, unlike many concertos of the era it prizes poetic expression above virtuoso display. Robert Schumann wrote his only cello concerto in Düsseldorf during a two week period in October 1850. The soloist then introduces a long, entrancing melody: After a vigorous orchestral transition, the soloist introduces a lighter, contrasting theme, followed by emotive passagework. Robert Schumann (1810-56) Concerto (Concertstück) for cello and orchestra in A minor, Op. The CD can be purchased here. Required fields are marked *. Schumann described the Concerto to them as "really quite a jolly piece." When you eliminate the overuse of accents and chopped phrasing, the piece actually becomes beautifully lyrical.”. Josephine Knight cello Royal Northern Sinfonia Martin Yates conductor In a world premiere recording, cellist Josephine Knight champions Schumann’s Cello Concerto in its original form as a Concertstück, performed for the first time in a new edition based on the original manuscript in the composer’s hand. The recording marks the The most prominent change occurs in the final section of the third movement, where a virtuosic flourishing scale replaces a simpler triplet figure. The world premiere recording has been released on Dutton with the. This site uses cookies. Partnering the Schumann are two previously unrecorded cello works by Alfredo Piatti. The works in this volume are Robert Schumann: Cello Concerto in A Minor, Op. Notify me of follow-up comments by email. Shelley meets these with characteristic aplomb, including an especially nice collaboration with cellist Sue-Ellen Paulsen in the slow movement’s cello obbligato. His wife Clara loved the work, saying ‘The romanticism, the spirit, the freshness, the humour, and then the fascinating interweaving of the cello and orchestra – all this is truly thrilling. For a time, it was something of a lost masterpiece. Josephine Knight holds the Alfredo Piatti Chair at the Royal Academy of Music where she is Professor of Cello. SHOW ALL. It’s a bit of a cliché to say that an artist bared his or her soul in a work of art. The orchestra begins the finale with the forceful chords of the main theme, answered by virtuoso figuration from the soloist. Learn more and get tickets. 31 by Brahms and Strauss contemporary Julius Klengel (1859-1933), who was acclaimed as a miracle cellist throughout Europe at an early age. Schumann’s prediction that “Since there is a great dearth of such works, the cello concerto is something which will perhaps be welcomed by many” has certainly come true, although it only became standard repertoire decades after Schumann’s death. (Early Music, Vol.42 No.3 August 2014) The score was not published, and the manuscript was destroyed in a fire in … ASD 2498 - Schumann / Saint-Saens: Cello Concertos - Jacqueline Du Pre. “Throughout my research I discovered that Schumann initially envisaged the work as a Concertstück not a Concerto, and for me, knowing this the piece takes on a lighter and happier character. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination, and individual interpretation of the concerto form. Since then, generations of performers have introduced alternative bowings and significant changes which have diluted the original conception of the work. Interview, Josephine Knight on Schumann 19th May 2020 The British cellist talks to David about her new recording on Dutton, featuring the world premiere recording of Schumann's concerto in its original form and two concertante works by Alfredo Piatti. Post navigation bach brandenburg concerto 3 you tube. The pianist Leif Ove Andsnes makes it sound … After a reprise of the opening duet, the woodwinds play a reminiscence of the haunting theme that began the concerto. One of the few pieces I can think of for which that expression is truly apt is the Schumann Violin Concerto, which we are doing next week with the English Symphony Orchestra and soloist Zoe Beyers on the 3rd of April in The Priory Church at Great Malvern. Though some accept it at face value, Schumann’s assertion that “The concerto is also really quite a jolly piece” seems to contradict the work’s brooding A minor tonality (Schumann’s characterization may have been an attempt to market the new and unusual piece to a risk-averse publisher—an effective one, at that). Cello Concerto Op. The Cello Concerto in D major is Arthur Sullivan's only concerto and was one of his earliest large-scale works. In a contrasting central section, the soloist plays a warm melody in double stops (playing notes on two strings at once), occasionally enriched by the orchestral cello. Schumann's cello concerto, one of the last works he wrote, has become a firm favourite with soloists and audiences alike - but the version commonly heard today is in fact the result of fairly heavy modification by the intended first performer Emil Bockmühl (and subsequent others. Cellist, Josephine Knight, has performed the world-premiere recording of the recently discovered original edition of Robert Schumann’s Cello Concerto in A Minor. (Canceled) Piatigorsky International Cello Festival: Schumann Concerto Sat / Mar 21, 2020 - 8:00PM A cello celebration descends upon Walt … As Alisa Weilerstein commented in a 2016 interview, “In fact, the virtuoso parts are a bit thankless, because they are much more difficult than they actually sound!” Though Schumann’s artistic principals may have slowed the concerto’s initial acceptance, they ultimately yielded a work of emotional depth and enduring appeal. 20 (Variation 6) Manuscript facsimile 1853 . A cello concerto (sometimes called a violoncello concerto) is a concerto for solo cello with orchestra or, very occasionally, smaller groups of instruments.. Concerto per violoncello e orchestra in La minore op. Variations on a theme by Robert Schumann, op. Your donation helps the Houston Symphony enrich the lives of more than 400,000 Houstonians annually. “I was practising for a concert tour and became suspicious as all the editions I had available were hugely cluttered with markings and bowings and not one edition corresponded. "I was practicing for a concert tour and became suspicious as all the editions I had available were hugely cluttered with markings and bowings and not one edition corresponded … The previously unpublished manuscript of this concerto has now been arranged for Gromes' recording. By continuing to browse the site you are agreeing to our use of cookies. Finally, the Schumann Cello Concerto in A minor op.129. 1862) Gromes also surprises with a world premiere on her new album: it is the 3rd Cello Concerto op. a spontaneous passage in the style of an improvisation, A Baroque Christmas: Q&A with Guest Vocalist Morris Robinson, Playliszt: 10 Great Pieces by Music’s Original Rock Star. Photo credit: Decca/©Harald Hoffmann. But here is something different: songs, piano works – including the complete Kinderszenen cycle – and the Second Violin Sonata, all arranged for cello and piano. The piece is in three movements, which follow on from each other without a pause:Nicht zu schnell (A minor)Langsam (F major)Sehr lebhaft (A minor -- A major) His Cello Concerto (1850) and Violin Concerto (1853) have been regarded as awkward, losing out to the popular Piano Concerto. The world premiere recording has been released on Dutton with the Royal Northern Sinfonia conducted by 1, Op. was was in good health and mentally stable. Folksoundomy: A Library of Sound. 129; Camille Saint-Saëns: Cello Concerto No. Save my name, email, and website in this browser for the next time I comment. 1, from the Bunte Blätter, Op. This ends the reverie, and the soloist responds with a dramatic recitative (a style of operatic sing-speaking) above tremolo strings. Martin Yates. After a final return of the main theme in the orchestra, the cello begins a spontaneous passage in the style of an improvisation (a cadenza with some accompaniment from the orchestra–a very unconventional choice on Schumann’s part, since cadenzas are usually unaccompanied). The most prominent change occurs in the final section of the third movement, where a virtuosic flourishing scale replaces a simpler triplet figure. document.getElementById("comment").setAttribute( "id", "a36aaea0cd547c3a28e2bbfcc61b627a" );document.getElementById("abe07f47ad").setAttribute( "id", "comment" ); The score was written in two weeks in 1850 following the family’s move to Düsseldorf, when Schumann. 20, with a dedication to Robert. Succinct though the concerto may be, with three linked movements totalling 21 minutes, the technical challenges of the solo part are considerable. After this, it was performed only a few times. Alisa Weilerstein, cello. Langsam (F major) III. Schumann’s prediction that “Since there is a great dearth of such works, the cello concerto is something which will perhaps be welcomed by many” has certainly come true, although it only became standard repertoire decades after Schumann’s death. 129 (1850) Edited by Josephine Knight (2020) First published edition of the original version 1: i Nicht zu schnell 2: ii Langsam 3: iii Etwas lebhafter Alfredo Piatti (1822-1901) Concertino in A minor for cello and orchestra, Op. This new release of the Schumann Cello Concerto purports to be the premiere recording of its absolute original version–a faithful reconstruction of the 1850 “Concertstück”. Bernstein brings out the beauty and darkness of this bitter fruit of the onset of Schumann's mental collapse. It was written for the Italian cellist Alfredo Piatti and premiered on 24 November 1866 at the Crystal Palace, London, with August Manns conducting. Cellist, Josephine Knight, has performed the world-premiere recording of the recently discovered original edition of Robert Schumann’s Cello Concerto in A Minor. a reminiscence of the haunting theme that began the concerto. Your subscription means more than ever. 129, Robert Schumann. Composed in 1850, this is an arch-Romantic work made even more so as conducted by Leonard Bernstein with the splendid Vienna Philharmonic. After an intense, virtuoso development, the orchestra begins the reprise of the main themes. Schumann and the cello: we may think of the fine, late and rhapsodic Cello Concerto, or the lighter Stücke im Volkston, much beloved of cello students this past century and a half. 129. 18 (ca. Toast to 2021: Cocktails Inspired by A Big Band New Year. From start to finish, the piece was written during a two-week burst of inspiration in October 1850. It is the result of a ten-year mission that included her discovery of the autograph score in … One of the first compositions Schumann completed after his arrival in Düsseldorf was his Cello Concerto. 129; Cello Concerto in A minor, Op. No. An active concert violinist, Achron wrote many concerto cadenzas for his own and others' use, including a "triple" cadenza for the Vivaldi Concerto for Three Violins, performed in Carnegie Hall by Jascha Heifetz, Leopold Auer, and Efrem Zimbalist, and an enigmatic cello cadenza to Haydn's Cello Concerto No. 94 2 Gabriel Schwabe, Cello • Nicholas Rimmer, Piano 2 Royal Northern Sinfonia 1 • Lars Vogt 1. Unfortunately for us, even Breitkopf & Härtel refused to publish the arrangement for String Quartet and cello that Schumann proposed (learning about this I have myself now realised a version for String Quartet and cello, useful for both student and concert purposes. These themes are then developed and (after a mysterious “false return” of the opening in the distant key of F-sharp minor) reprised. These pieces have been written since the Baroque era if not earlier. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Little by little, the orchestra reenters, leading to a thrilling conclusion.—Calvin Dotsey. It is the result of a ten-year mission that included her discovery of the autograph score in the Biblioteka Jagiellońska, Kraków. No. Your email address will not be published. 129; Cello Concerto in A minor; Op. Josephine Knight holds the Alfredo Piatti Chair at the. Since then, generations of performers have introduced alternative bowings and significant changes which have diluted the original conception of the work. Cello Concerto Op. Schumann’s Piano Concerto is heard so often that its originality can be taken for granted. This month, the Houston Symphony presents a two-week Schumann Festival featuring the great Romantic composer’s symphonies, concertos, chamber music, songs, and more. It was not until 1854 that his illness took hold and this was the year that the piece was first published. Robert SCHUMANN (1810–1856) Cello Concerto 1 Fünf Stücke im Volkston 2 • Fantasiestücke 2 Adagio and Allegro 2 • Drei Romanzen, Op. 129, by Robert Schumann was completed in a period of only two weeks, between 10 October and 24 October 1850, shortly after Schumann became the music director at Düsseldorf. A transitional passage leads to a second theme, in which the woodwinds echo the cello’s sighing figure. Sehr lebhaft (A minor – A major) ... download 14 Files download 8 Original. Partnering the Schumann are two previously unrecorded cello works by Alfredo Piatti. Curiously, Schumann seems to have composed it without an intended cellist in mind. Celebrated British cellist Steven Isserlis performs Schumann’s manic and mournful cello concerto, which Isserlis has described as “one of the most original concertos for any instrument.” The program also includes a set of early waltzes by Schoenberg, a work rooted in the Classical tradition, as well as Mozart’s Overture to The Marriage of Figaro. Josephine Knights, whose personal portion of the notes is full of interest – Lewis Foreman ably co-authors the main section with Knights - mentions the fact she found in the Schumann concerto manuscript a letter from Clara Schumann offering the concerto to Piatti to perform; he was to do so in the work’s British premiere in 1866. However, unlike the violin, the cello had to face harsh competition from the older, well-established viola da gamba.As a result, few important cello … Josephine had access to all the extant autographs, including Schumann’s alterations and revisions, in preparing the recording and a new edition will be published by Edition Peters. You get a feel for when bowings are added and are not original, but I was not expecting that when I saw the original autographed manuscript in Krakow, that there were in fact hundreds, if not thousands of differences – including a final section which is completely different material.”. Netfocus Universal Sound Library. 99.They were published in 1854 as her Op. The work opens with three woodwind chords reminiscent of those that serve as a gateway to Shakespeare’s fairyland at the beginning of Mendelssohn’s Overture to A Midsummer Night’s Dream. Rare Original UK First Press Stereo LP On HMV Dog Stamp Label - Laminated Front Flip Back Sleeve - Original Liner. The great cellist Rostropovich didn't seem like the type to tolerate too much tom-foolery, so this rendition of Schumann's Cello Concerto doesn't present too many surprises, though the seemingly average pulse could also stem from the fact that it's a B+ Concerto to the A's that are the Dvorak & … The Cello Concerto in A minor, Op. Posted on January 19, 2021 by January 19, 2021 by Schumann: Cello Concerto, Adagio & Allegro, Fantasiestücke Yo-Yo Ma, Sir Colin Davis, Symphonieorchester des Bayerischen Rundfunks & Emanuel Ax ... Memoirs of a Geisha (Original Motion Picture Soundtrack) 2005 Cello Suiten No. Explore the 2020–21 season and purchase your subscription today! 129: Authorities WorldCat; Wikipedia; VIAF: 293460666; BNF: 13918929g: Composer Schumann, Robert: Opus/Catalogue Number Op./Cat. Like several other works by Schumann, this concerto’s movements are linked together without pause, and the music fades seamlessly into the second movement. Royal Academy of Music cello faculty member Josephine Knight performing the premiere recording of the recently-discovered original edition of Robert Schumann’s Cello Concerto in A Minor. In 1853, Clara Schumann composed a set of variations on a theme from her husband Robert’s Albumblätter no. In this post, discover Schumann’s masterful Cello Concerto, a work that was only recognized long after Schumann’s death. clarinet (or cello), piano Extra Information For a detailed discussion of this work, its sources and first performers, see the article Deconstructing Schumann's Fantasiestücke, Op.73 by R. Reissenberger and E. Hoepric. The previously unpublished manuscript of this concerto has now been specially arranged for Gromes which she recorded together with the Rundfunk-Sinfonieorchester Berlin conducted by Nicholas Carter. was was in good health and mentally stable. IN COLLECTIONS. Don’t miss Schumann’s Cello Concerto at the Houston Symphony’s Schumann Festival! Schumann’s love of the cello, which developed when he learned the instrument as a young man, is expressed most fully in his Cello Concerto in A minor. Schumann’s Third Symphony, actually the last he composed (completed in the same year as the Cello Concerto), stands out in several ways: it contains five instead of the usual four movements, and that “extra” movement, the fourth, has been described as containing the most extraordinary example of German counterpoint since Bach. Topics Cello Concerto Op. It was not until 1854 that his illness took hold and this was the year that the piece was first published. Op.129 I-Catalogue Number I-Cat. The slow second movement opens with a lyrical duet for the soloist and a single orchestral cello marked “mit Ausdruck” (“with expression”). Your email address will not be published. That its originality can be taken for granted, leading to a second theme, in which woodwinds! 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