Photographer: Jonathan Muzikar. (Courtesy Jonathan … The exhibition collects more than forty works by twenty artists from a dozen countries, all created since the turn of the millennium. Reena Saini Kallat Woven Chronicle 2016 (Installation view, Museum of Modern Art, New York) 1447×322×30cm. As an artist, she is strongly interested in displaying art to help remember the past: she calls this style of art “memory play.”. Speakers incorporated into the installation parallel the movement of people with the flow and pulse of data. Insecurities: Tracing Displacement and Shelter. Featuring a major installation by Mumbai-based artist Reena Saini Kallat, Woven Chronicle (2015), alongside works by many other artists, architects, and designers who respond to the complex circumstances brought about by forced displacement, this exhibition focuses on conditions that … The Museum of Modern Art, New York. The Museum of Modern Art, New York. A giant world map incorporating webs of coloured wire was turning heads as artist Reena Saini Kallat put the final touches on the installation at the Vancouver Art Gallery’s Offsite space last month.. Reena Saini Kallat (born 1973) is an Indian visual artist. Reena Saini Kallat maps various routes of the movement of people and goods across oceans with twisted and barbed wires in the site-specific installation Woven Chronicle (2011-16). 1973, Delhi, India Lives and works in Mumbai, India Reena Saini Kallat was trained at the Sir J.J. School of Art, Mumbai between 1991-96. Some take a big-picture approach. Spanning nearly 50 feet, Woven Chronicle is an immersive, multilayered world map hand-woven by the artist with electrical wire. Woven Chronicle was completed by an artist named Reena Saini Kallat. Reena Saini Kallat’s practice, encompassing drawing, photography, sculpture, painting, video, and installation, engages diverse materials, imbued with conceptual underpinnings. Everything which affects some of us, almost immediately affects us all.’. Photographer: Jonathan Muzikar. In the case of this project, though, each line of movement is akin to a barbed wire, and we could imagine that the movements of individuals throughout the world are continuous and dangerous at the same time. 4506VV4010.jpg — Are.na. 10 min Single Channel Audio. Reena Saini Kallat. Reena's works attempt to re-imagines the relationship between public art, its space and audience. Mumbai-based Reena Saini Kallat’s memories of her father’s stories of growing up in Lahore before the Indian Partition in 1947 deeply affected her, as did her extended family’s need to flee and leave everything when ‘more than ten million Hindus, Muslims and Sikhs scrambled to get to their preferred side of newly formed borders based on religious lines.’ Reena Saini Kallat, Woven Chronicle, Vancouver Art Gallery Offsite. It has a sound component—take a moment and listen. Woven Chronicle, a new version of which she has made for Bangkok, takes the form of a global cartographic wall drawing, woven out of electric and barbed wire. Installation view, When Home Won’t Let You Stay: Migration through Contemporary Art, … Are.na is a platform for connecting ideas and building knowledge. Installation view, Vancouver Art Gallery Offsite. *Installation view of the exhibition, "Insecurities: Tracing Displacement and Shelter." Reena Saini Kallat. For her, this work reflects ‘the rise of narrow nationalism amidst the many conversations across borders through technology. Reena Saini Kallat’s Woven Chronicle: Tashi Tobgyal. October 01, 2016 - January 22, 2017. (2011-2016). The first thing viewers see upon entering the exhibition is Woven Chronicle, an artwork by Indian artist Reena Saini Kallat, created between the years 2011 and 2016. Reena Saini Kallat - Woven Chronicle (2011) Hamutal Levin artists. Woven Veins (2010) Preface (2010) Light Leaks… (2008-2010) Colour Curtain… (2009) Your Mileage May Vary (2009) Synonym (2009) Vanishing Point (2009) The Moving Millimeter (2009) White Yarn…(2008) White Heat…(2008) This sense of movement exudes freedom, something that Indian artist Reena Saini Kallat both encompasses, and challenges in her free public art installation “Woven Chronicle” now on display at the Vancouver Art Gallery’s Offsite space on West Georgia Street and Bute in Vancouver. Reena Saini Kallat’s piece titled “Woven Chronicle,” part of the Institute of Contemporary Arts’ newest exhibition, “When Home Won’t Let You Stay.” On display until Jan. 26, 2020, it explores themes of migration and displacement. With Woven Chronicle we're not just looking at a map of the world, we're looking at migratory paths, lines of movement, lines of movement that are fundamentally difficult and politically charged. 11 x 38 feet (335.3 x 1158.2 cm). Despite shelter-in-place orders and a remote academic environment for Stanford students, Stanford's Institute for Diversity in the Arts, the Cantor Arts Center, and The Anderson Collection continue to seek events that engage artists, the community, and students through virtual programming. This # texturetuesday, explore Reena Saini Kallat's monumental installation Woven Chronicle, (2011–16)!. “Woven Chronicle” … (2011-2016). 2490 ส่งผลกระทบอย่างมากต่อ รีนา ไซนี กัลลัต ศิลปินที่อาศัยและทำงานในเมืองมุมไบ เช่นเดียวกับความต้องการของครอบครัวเธอที่จะหลบหนีและทิ้งทุกสิ่งไว้ข้าง, Woven Chronicle ทำซ้ำครั้งแรกในปี พ.ศ. Jun 3, 2018 - "Woven Chronicle" - Reena Saini Kallat installation October 01, 2016 - January 22, 2017. As borders shift, the colours and divisions articulated in Kallat’s 'Woven Chronicle' works also change. And what Reena Kallat's moving work illustrates is that we could redraw the map of the world based on these migratory movements. Reena Saini Kallat (Born 1973 in New Delhi) Woven Chronicle, 2011-19 Electrical wires, speakers, circuit boards, and fittings; single-channel audio (10:00 minutes)Approximately 13 x 42 x … “Woven Chronicle.” 2011/2016, “Insecurities: Tracing Displacement and Shelter”, detailed view Chorus. We think of the border as defining or tracing the edges of territories and sovereignties and nations, but the world and its histories are comprised of migratory movements. Reena Saini Kallat Woven Chronicle 2018 (detail) Textiles – particularly weaving and knitting – is an art form that has, historically, often been associated with women makers. Reena Saini Kallat Woven Chronicle With Woven Chronicle we're not just looking at a map of the world, we're looking at migratory paths, lines of movement, lines of movement that are fundamentally difficult and politically charged. หลังเมื่อ “ชาวฮินดู มุสลิมและซิกข์มากกว่าสิบล้านคน ต้องดิ้นรนข้ามพรมแดนที่เพิ่งขีดขึ้นใหม่โดยเอาศาสนาเป็นที่ตั้ง ไปยังฝั่งประเทศที่ต้องการ”, ผลงานของรีนาที่ผสมผสานประติมากรรม การวาดภาพ การทอผ้า การถ่ายภาพและเสียงเข้าไว้ด้วยกัน เป็นการตอบสนองทั้งต่อการขีดเส้นแบ่งอินเดียและต่อความไม่สงบและความรุนแรงที่ตามมาจากการแบ่งแยกทางศาสนา Woven Chronicle ซึ่งเป็นเวอร์ชันใหม่สำหรับจัดแสดงในงานบางกอกอาร์ตเบียนนาเล่ 2020 โดยเฉพาะ สร้างสรรค์ออกมาในรูปแบบภาพวาดแผนที่โลกบนผนังถักทอจากลวดไฟฟ้าและลวดหนาม มีเครือข่ายท่อร้อยสายเสียงที่เป็นตัวแทนกระแสการเคลื่อนที่ของมนุษย์ โดยเส้น สีและความหนาแน่นจะเปลี่ยนตามการเดินทางของนักเดินทาง ผู้อพยพ แรงงานและการค้าข้ามพรมแดน และมีฉากหลังเป็นอุปสรรคระดับชาติ นอกจากนี้ยังส่งเสียงต่างๆ อย่างเช่นเสียงการจราจรทางโทรคมนาคม เสียงกระแสไฟฟ้าแรงสูง เสียงโดรนบิน เสียงบีบแตรเรือ และเสียงไซเรนโรงงาน ผสมผสานกับเสียงเพลงของนกอพยพ สำหรับเธอแล้ว ผลงานชิ้นนี้สะท้อนให้เห็นถึง “การเพิ่มขึ้นของลัทธิชาตินิยมคับแคบท่ามกลางกระแสบทสนทนาข้ามพรมแดนผ่านเทคโนโลยี ทุกวันนี้แม้กระทั่งในขณะที่เรากำลังกระชับพรมแดนระหว่างประเทศท่ามกลางความกลัวการรับเชื้อไวรัสเข้าสู่ร่างกาย เราก็ตระหนักถึงการพึ่งพาซึ่งกันและกันมากขึ้น “ทุกสิ่งที่ส่งผลกระทบต่อเราบางคน ล้วนส่งผลกระทบต่อเราทุกคนแทบจะในทันที”, สำหรับงานบางกอก อาร์ต เบียนนาเล่ 2020 เธอจะถักทอผลงานชิ้นนี้ โดยใช้สายไฟ สายเคเบิล ลวดลายและเสียงที่หาได้ในท้องถิ่น โดยคำนึงถึงมุมมองและรูปแบบการอพยพในท้องถิ่น, © Bangkok Art Biennale 2020 All Rights Reserved, A Child’s World in the Days of Adults, 2014-2016, How to Vapourise a Whale? 10:30Am-5Pm | exhibition Viewing Insecurities: Tracing Displacement and Shelter. 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