Sydney 18 July – 18 August. Working remotely and presenting work in non-theatre venues is both practical and achievable in these uncertain times. Costume designer Jennifer Irwin speaks to Neil Litchfield about designing for Terrain, and for 20 years with Stephen Page and Bangarra. So I fell into dance and have been designing for it ever since. Also having had my work seen in places such as The Royal Opera House Covent Garden in London and the Brooklyn Academy of Music. ... Costume Design. Wollongong 24 – 25 August. Jennifer Irwin ... Holly Day 6 episodes, 2003 Sabrina Grdevich ... Claire Donner 6 episodes, 2003 Marcia Bennett ... assistant costume designer (6 episodes, 2006) Jennifer Buck ... wardrobe set supervisor (3 episodes, 2005) When I design for Bangarra, the costumes are always abstract and create a skin that the dancers transform into an art piece. Set Designer – Jacob Nash. The Art Deco movement inspired costume designer Jennifer Irwin’s work for Franz Lehar’s fizzy comic opera. costume design:jennifer irwin lighting design: nick schlieper photography credit: brett boardman. Thanks to Covid-19, Drew Fairley was trapped for two months aboard a passenger liner going nowhere. Make a creative’s heart sing, writes Ang Collins. But it struggles to sell it. It’s a much more organic experience. Jennifer has 1 job listed on their profile. Join to Connect. Jennifer Irwin Bio, Photos, Theatre Credits, Stage History - learn all about their career on stage. One thing prevented him... A theatre without actors is just a building. Jennifer’s work has been stage live in over 60 countries, over 350 cities, venues including the Lincoln Centre NYC, City Centre NYC, Brooklyn Academy of Music NYC, The Kennedy Centre Washington, The Royal Opera House, Covent Garden London, Command performances at the Royal Palace Madrid and many at the Sydney Opera House. Actors need character. Lachlan Philpott shares his vision for the future of Australian stage writing with Audrey Journal. It's more than just the money writes "Adelaide". In our series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks opportunity, craft and career with Melanie Liertz. Youth theatre should not be training for thought and action in the future, argues Iris Simpson. "Everything was just so raw and we were working on the run. It's been a tough year, writes theatre maker Suz Mawer. Adelaide 29 August – 1 September. Opera singers need to sing unconstrained. Underbelly Razor. Irwin will talk about her creative process and what inspired her as an artist. Personal Website. What led you down this track? In the fifth in a series of interviews celebrating the female designer, Antoinette Barbouttis talks to Anna Tregloan. Over the years, the Bangarra costumes have become far more sculptural. Jennifer designs regularly for all of the major Australian companies. Every show I’ve designed is completely different. A dancer has to feel safe in a costume, there’s risk involved. I designed and made all the costumes, maintained them and toured internationally with the company. Every genre of performance has different priorities. Most recently, Jennifer designed the lavish costumes for Opera Australia’s The Merry Widow, the Australian Ballet’s Murphy Tribute and Bangarra’s Dance Theatre’s latest production Dark Emu. Designer Jennifer Irwin working on costumes for Dark Emu. Most plays do." Having designed costumes for Stephen Page's works prior to his Bangarra artistic directorship, award winning Costume Designer Jennifer Irwin reflects on her long-standing journey, sharing highlights, learnings and the uniqueness of the Bangarra world. Jennifer Irwin’s costumes can be seen in Bangarra Dance Theatre’s Dark Emu, touring now. Can you talk a little about using that kind of natural material? “The first one is a cocktail party where there’s lots of waltzing so I went with long dresses and put everyone in long satin gowns that sat well within the black and gold of the set. Burning Man. Looking at the main stages of Sydney, you could be excused for thinking that this is a golden age for... "I was half expecting it to fail. Jennifer Irwin - Costume Designer. If they fall due to the costume, that could end their career. APDG Best Emerging Designer for Live Performance (Nominated) APDG Mentor Program 2020 (Costume design mentorship under Jennifer Irwin) FREDERIK J GIBSON BEQUEST (Secondment under Rajha Shakiry at National Theatre London) Education; mfa design for performance , National Institute of Dramatic Art (NIDA) But does anyone know what a Snark looks like? Queer Representation on Stage: Between... Is identity politics having a reductive effect on queer representation in our theatres? But Dirty Dancing the musical is a highlight, and it continues to tour around the world since its first staging in 2004. sydney festival 2017 festival director: wesley enoch executive director: christopher tooher festival designer: pip runciman Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. You can go anywhere with the costumes. Jennifer Irwin, costume designer par excellence and recipient of the 2017 Australian Dance Award for Services to Dance, will be the special guest at an event hosted by ‘UsefulBox’ on 14 October at the Boronia tea rooms in the Sydney suburb of Mosman. But what are actors without theatres, ponders Toby Schmitz. Who is Jennifer Irwin? Dressing bodies is my primary interest and I could always sew. How did you get involved with Bangarra Dance Theatre? Welcome to the professional world of Jennifer Irwin, costume designer extraordinaire who, for the past 36 years, has woven her magic across Australian theatre, opera, dance, film, musicals and spectaculars. The MAC AUSTRALIA 2012 APDG Award - FOR MAKEUP AND PROSTHETICS Wendy de Waal - Make Up and Hair Designer. meriton festival village - 2017 sydney festival. “Design is so much more than making things look pretty”. Dirty Dancing [West End, 2006] Costume Designer. Self -Employed. In the second in a series of interviews celebrating Australia's leading female designers, Antoinette Barbouttis talks life and art with... Indie director Penny Harpham took a deep dive into the world of mainstage theatre with Antony and Cleopatra and, against... “Don’t underestimate the audience,” says... Declan Greene fires back at comments made by Wesley Enoch in his Nick Enright Keynote Address. Jenny is the winner of many awards and nominations for her designs and recognised … Conductors: Massimo Zanetti (until 6 Jul); Nicholas Milton (11–25, 29, 31 Jul; 1, 2, 3 Aug); Brian Castles-Onion (27 Jul; 6, 7, 10 Aug) Director: Graeme Murphy Creative Associate: Janet Vernon Production Designer: Michael Scott-Mitchell Costume Designer: Jennifer Irwin Lighting Designer: Damien Cooper Master Electrician & BlackTrax Diviner: Jason Morphett I was in the right place in the right time to learn. Choreographer: Stanton Welch Music: Brent Lewis Primitive Truth and Rhythm Hunter Costume Design: Jennifer Irwin Set and Lighting Design: Andrew Carter. “The Merry Widow has three acts,” she explained. Arts funding in Australia is a car crash argues Big hART's Scott Rankin in a newly published Platform Paper. Anna Cordingley questions outmoded ideas in the first in a series of interviews with leading female theatre designers. Tongan-Australian writer Winnie Dunn speaks to the Voice, Agency and Integrity Report produced by Diversity Arts Australia. Jennifer designs regularly for all of the major Australian companies. Jennifer Irwin has designed for drama, opera, and dance as well as the largest spectacular events ever staged in Australia. Jennifer Irwin’s career spans four decades and she creates for drama, opera, dance and ballet and major events. Playwright Charles O'Grady goes there. He invited me to do their dance costumes and I have been designing for him ever since. Essentially, I learned on the job. Jennifer Irwin Costume Designer Sydney, Australia 32 connections. 'Bennelong' Choreographed by Stephen Page Set Design Jake Nash Costume Design Jennifer Irwin Music Steve Frances Lighting Nick Schlieper Photo Daniel Boud I’ve been doing dance for so long now it has become second nature to create and understand the vocabulary of different choreographers. But as a white woman, I also need to be aware of all cultural protocols. Working with Bangarra allows me to be more creative. JI: I’ve only ever been interested in costume. View Jennifer Irwin’s profile on LinkedIn, the world’s largest professional community. In 2004, Jennifer designed the costumes for the International Box office sensation DIRTY DANCING the musical, still playing to packed audiences, breaking all pre-box office sales of any show ever staged in the history of London’s West End. I try to source fabrics that I can turn into something else, something with texture I can paint, or dye, or bleach, or layer with other fabrics. Canberra 13 – … The highlight for me is being a part of a company. AB: You are a costume designer, not a set designer. Jennifer Irwin’s costumes are similarly gorgeous, and particularly the widow’s outfits – each is an Instagram-worthy showstopper, from the opening black-and-gold nod to widow’s weeds, the exotic gauzy turquoise of Act 2’s Pontevedrian number, and Act 3’s gold and silver glory. How do your own aesthetics come in to the design process? Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. Designers Australian costume designer Jennifer Irwin’s career spans over 38 years designing costumes for multiple operas, dramas and in particular dance & ballet. What are your costume design career highlights? Warumuk. If a dancer can’t move due to costume, then it’s not going to work. Submit Photos Here . I love that I’ve had the opportunity to work on an international scale. How fabrics work over time, how to cut costumes for movement. "I came from somewhere, I have a background, and I’m... Sydney's independent theatre scene creates great product, argues actor and producer Matthew Cheetham. Most recently, Jennifer designed the lavish costumes for Opera Australia’s The Merry Widow, the Australian Ballet’s Murphy Tribute and Bangarra’s Dance Theatre’s latest production Dark Emu. THE HERO FROCK HIRE 2012 APDG AWARD - FOR COSTUME DESIGN FOR SCREEN Louise Wakefield - Designer. Very young! Costume Designer – Jennifer Irwin. I love embracing new technology such as digital printing, 3D printing and laser cutting. Hurrah Hurrah return with a team of robotic vacuum cleaners hacked to torment their human counterparts. J ennifer Irwin has been creating costumes for Bangarra Dance Theatre since the company’s very beginning, and has been collaborating with Stephen Page even longer. National Tour: Melbourne 29 June – 7 July. He was 19 or 20, I think. I love the dynamic juxtaposition, the ancient and the modern. 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